Monday, August 27, 2012

Getting Ready

Adopted Family Member Flea Market Portrait
My living room is a pretty crowded place. Years of travel and flea marketing have taken a heavy toll. There are knick knacks and mementos a plenty. Open Studios is coming up in October. Since my clay studio is actually a smallish outdoor shed, using the living room as a gallery is a better solution. It's times like these that I wish I had a lot less books! Everything in the living room is going to have to move into the clay shed or into the garage. And, the ceramic work is going to, in theory, fill the living room. We'll see.

Mantle Junk

Many, Mostly Heavy Books

Mask Collection Members

Books Removed, Work Stocked

Never-ending Book Filled Boxes

Things I'll Miss

More Things I'll Miss

Monday, August 20, 2012

Back to the Beach


I officially declare this Fall/Winter beach season "OPEN". We usually don't visit the beach much during the summer. It's too hot, and there are too many people. Fall and Winter are our beach seasons. We like it windy and stormy, as a rule. Today, the last day of my summer, was gorgeous. I worked to get my classroom in order for the first day of school tomorrow, then took Betty to get her shots at the veterinarian. We treated ourselves to a stroll on the beach afterwards. 

Santa Cruz is just visible...

The cement boat...

Great white shark spotters...

Pier parking...

Taunted by a saucy seagull...

Relaxing...


Saturday, August 18, 2012

When Things Go Terribly Wrong

All summer, I've had a pretty successful run. Most of the work that I've been producing for Open Studios in October has been turning out well. But, lately, I've been reminded that art is actually just a form of problem solving. We create problems for ourselves, in our minds or in our sketchbooks, and we try to solve them using our specific medium. The ceramic process is a lot like cooking. There are many steps in the process, and it's easy to ruin an entire meal by missing one small detail.

In my last entry, I posted some pictures of greenware trees of life. Well, they have been nothing but grief, in the firing process. During the second firing of two of the flat panel pieces, there was major cracking. So, I rebuilt the backing panels, and then recycled the wired leaves and flowers. Many people have helped out with advice. That's the good part about having a lot of knowledgable clay friends! Now, the new back panels are thinner, and the wire on the "pokies" is shorter, to keep them from piercing the back panels. Also, I'm placing the pieces on an asbestos blanket in the kiln so that they heat and cool evenly. Both newly resolved pieces just need time to dry. If these steps don't work, then it's back to the drawing board, to play Sherlock Holmes, figuring out what went so terribly wrong.





A couple of wall pieces have gone from sketchbook to successful completion. So, the walls won't be totally empty in October. These are clay paintings on wall boxes. And, the last one is a clay wreath. Thankfully, all are survivors.







Fingers crossed on this Arbol de Vida wall panel made from brown clay. I really hope that it makes it through, from greenware to completion.






Tuesday, July 31, 2012

Arbol de Vida


An antique Arbol de Vida...

Well used, and covered in wax...


Many religions of the world make reference to a Tree of Life. In central Mexico, Trees of Life made of clay are a traditional art form. After the Spanish conquest of Mexico, the Catholic church made it a practice to destroy all previous idols and gods. The church began to introduce Christian iconography. So, the trees were created to teach biblical stories to natives during the colonial period. And, they had the added benefit of bringing light into the church, as Mexican Trees of Life almost always function as candelabras. 

Many Trees of Life feature Adam and Eve. Usually, there is also a serpent and the leaves and flowers of the Garden of Eden. Recently, many Trees of Life have become more secular in nature, simply showcasing birds, leaves, and flowers. I've been experimenting with making Trees of Life, since creating a large stoneware wreath back in an early ceramics class. 

Fantastic leaf detailing...

Gravity defying piece...

Another antique...

A modern Arbol de Vida...

Graceful shape...


Terra cotta colored clay...

Below are some wall pieces that I've made for Open Studios. They have many of the features of non-traditional Trees of Life. The first one is going to be bisque fired tomorrow. Surprisingly, they have taken forever to dry. I think that glazing them will be an exciting challenge. I'd like to give them some color, but also antique the finish a bit to give them age and texture.


Monday, July 23, 2012

Sunday, July 22, 2012

Nostalgia


They say you can't go home again. And, that seems true in some respects. But, returning to a place that is dear in memory, often serves to simply sharpen those reflections. As a child, I spent many summers at my grandparents' farm located in a small town in central Utah. My grandma's iris filled flower garden was crowned with a mint green trellis. And, my grandpa's garden had fruit trees, and a large, shady grape arbor. Almost on the same block, our relatives owned a much frequented candy store. And, across the street was the city park with a public pool, teeter totters, swings, and a very tall slide. A few years ago, I was stunned to see that my grandma's house had been torn down, paved over, and made into a parking lot. I realized that by spending so much time absorbing the house, as a child, I had an excellent memory of the details. So, although the home is no longer there, I can close my eyes and revisit every room of the house in my memory. Sometimes, when I can't sleep at night, I will do just that, lingering and savoring the happy times spent there.

Last week, we returned to the town in order to attend the annual Ute Stampede Rodeo. Many things in the town have changed since my childhood, and since my last visit twelve years ago. But, the spirit of the place is still the same. And, the smell. We put coins on the railroad tracks near the fairgrounds, and I found a railroad spike! In the middle of the rodeo, we got completely soaked by a summer downpour. Spending time at the carnival reminded me of a childhood visit. My cousin and I paid our tickets to ride in an enclosed metal, spinning basket attached to a ferris wheel. His pockets were full of change, and the coins fell out of his pockets when we were upside down, then pelted us as the ride circled around. It was utter chaos in the basket, and we were laughing so hard, we couldn't breathe. Back in the old days, they would give chicks and goldfish as arcade prizes. My poor grandma always had a backyard full of chicks from all of her grandkids each year. She would be sitting in the dark on the porch, waiting for us, when we returned from the rodeo each year. Last week, in my mind's eye, I pictured her wearing her apron, laughing and smiling as we piled, soaking wet, into the car.